Keri Devine: Critiques: Timing a little off disc, Parallel toss different heights, Consistent FACIALSSSSSSSSSS, transitions quicker/seamless/unexpected (?), POINT TOES IN CHEERLEADER, more challenge in formations/transitions/in between parts, POINT THOSE TOES, get team to same level of flexibility, few timing issues in floor, more level changes in routine, timing on toss off (floor), POINT TOES MARCHING, more intricacy in between movements, get everyone to same level of difficulty.

Score: 212.30

Lake Washington Competition

Jessie Blanding: 1st group - turn at same speed for double dynamite, off on rotation timing, formation adjustments (make sure we know where we are supposed to be), POINT TOES AND LEGS UP/no legs pointing front, intentional flatblacks/pointed toes/straight legs, timing/direction in last song, walking to ending position → too “pedestrian”, lazy, needs to have showmanship, challenging ourselves with even more groupwork, balance unity and individual work.

Gina Englund: Timing in first song, toss flat on parallel, change when purple silks and blue silks are going (variety), add something in before big clockspin, toss height consistency in CATM, watch traveling/marching steps, doesn’t really see storyline (please idk what she wants from us, we have fucking flags), down moments (tainted love), levels in tainted love, purposeful in staging (we just need everyone out on the floor), character development, watch recovery and timing